Master carpenter Fizz Kizzer is busy bringing our Elbow Room space to a new level!

FOUR days until Opening Night!

Only TWO performances this weekend, and tickets are going fast!  We've got nearly 50% of our opening weekend seats already sold.

If you want in, better reserve sooner rather than later...We can't wait to see you at Festival Theatre!!

Buy tickets online at http://www.festivaltheatre.org/this-untoward-generation.html
or by calling our Box Office at 715-483-3387.

Let the tech-ing begin!

Director Cory Johnson working with Braun & Peltz on "August & Adelaide".

The tech table!  (Director Cory Johnson, Costume Designer Andrew Benson, Stage Manager Isaac Bont)

Training in our stage ninja, Cameron Blair!  (Thank you Kimberly Braun for the photo bomb.)

"August & Adelaide"

Lonely little Cratchit.

The ghost of Jacob Marley!

 

Braun & Seward are all smiles during a break.

Stage Manager Isaac Bont is a very important human being.

Making sweet music.

Associate Artistic Director & Production Coordinator Jaclyn Johnson is not afraid of a little hard labor!

Time to start hanging lights!

Welcome to Tech Week!

Opening Night is THIS SATURDAY (August 10) and we are starting to fill up!

Seating is limited for this production, so don't wait too long to reserve those tickets --

visit Festival Theatre's web site or call our Box Office at 715-483-3387 to make it official!

Thanks for your support!

First Look: Come, Thou Fount

Shannon Mastel & Ethan Bjelland rehearse "Come, Thou Fount".

A burnt intellectual and an eager young seminarian crash minds at a city park in TUG!'s closing vignette.

"How do you prepare yourself for the rest of your life?"

First Look: Casey, the Barista, is a Free-Market Capitalist

The full cast (Seward, Bjelland, Braun, Mastel, and Peltz) in rehearsals for TUG!'s most highly-caffeinated vignette, "Casey, the Barista, is a Free-Market Capitalist".

The early morning coffee rush is the least of Casey's concerns, especially amid a daunting economic climate and the emotional backlash of a failed romance.  Desperate just to break even, Casey begins applying the unyielding rationalism of free-market economics to all aspects of her personal life with a mechanical, Darwinian fervor.  Can this emotional budget find balance?  Can this debt be resolved?

"In a balanced economy, there must be at least as much loss as gain."

Backstage Break

Started working with costumes today.

Jacob Marley's all dressed up with no place to go!